Traveling Drum School & Freelance Drumming
THE CURRENT SET UP & SOUND
I will use whatever necessary for a project. The following is what I currently use live and in the studio on a consistent basis.
*Official Artist Since July 2018
Backbeat Snare Wires Backbeat 30 Snare Wires Vintage Snare Wires
"I've been a huge fan of Canopus snare wires for years. I'm psyched to now be officially part of the family alongside a huge list of great drummers!
Recently I discovered more of their awesome accessories, including the snare belts and bolt tights, plus their metal, fiberglass, and ROF snares...definitely a fan as well!
In 2021, I started playing the Ash Series drums and I'm still looking for the words to express how great they are...live and studio...you have to hear and see them for yourself! Top notch quality craftsmanship in all they do."
Drum Set: Ash Series
20 x 15 Bass
14 x 13 Floor Tom
12 x 8 Tom
14 x 6.5 Snare
*Official Artist Since February 2016
Drum Set: RB Drum Co. Custom built by Rich Bloom.
100% maple shells in "Natural Belin Satin Oil" w/ RB Special Edges, Half Tube Lugs, Triple Flange Hoops, Dual Sound Holes, <Traveling> Drum School Arrows & "C" signature.
-12x8 tom (8 ply)
-14x14 floor tom (8 ply)
-20x16 bass (8 ply)
RB Drum Co. Custom Snares:
-14x4. 8 ply Maple in Vintage Satin Oil.
*RB Drum Co. Loan Program Snare
-14x6 8 ply Maple in Green Satin Oil.
-14x4.10 ply Maple in Natural Belin Satin Oil w/ S Hoop.
-14x3.75. 8 ply Maple in Blue Jean Belin Satin Oil w/ lightly hammered interior.
-14x6. 10 ply Maple in Natural Satin Oil w/ Maple Wood Hoops.
*All Snares w/ RB Special Edges, Dual Sound Holes, & Canopus Accessories.
"It's no secret RB Drum Co. specializes in quality, custom wood snare drums. Owner Rich Bloom has been building for decades! His work and customer service goes above and beyond. Rich's attention to detail and personal stamp on each drum means all the difference. Your custom design mixed with his expertise makes all RB drums stand out. RB Drum Co. made my drum dreams come true!"
RB Drum.Co. contact: Rich Bloom (617) 455-8549. Contoocook, NH.
Drum Set: Apple Drum Works. Custom built and dubbed
"Chris Belin's Money Maker" by Nick Appleberry in 2007.
100% birch shells, green sparkle wrap, chrome hardware w/ round 1/2 tube-style lugs..
-13X6 snare (10 ply w/ Canopus accessories), 10 x 8 tom (6 ply), 14 x 14 floor tom (6 ply), 20 x 18 bass (8 ply).
45 degree bearing edges.
*Drums are played as flat as possible for full stick response & comfortability.
*For live performance, stage set up commonly takes up maximum 4 x 4.5 ft of space.
14 inch Natural HiHats 18 inch Natural Crash 20 inch Natural Ride
16 inch Natural China 10 inch Natural Splash
16 inch Natural Crash
*All Cymbals w/ "C" Signature.
*Cymbals are placed at minimal heights for optimum dynamic control.
"A drummer's cymbal set up is just as important as their drum set. Finding the right sound for a scenario can be a task but Soultone makes that easy. Top notch quality craftsmanship and their wide variety of models has something for everybody!
It was love a first strike for me with their Natural Series. Beautiful, sustaining overtones mixed w/ a sharp cut that works for any genre and volume level, I've been a serious fan of Soultone for years since I first heard them played live and now I'm proud to be an official artist! Live or studio, Soultone Cymbals are the real deal!
Heads: *Official Artist Since December 2018
Snares-Proflex 1 Coated, Baron, & Logic Dot Top
/ Snare Side Thin Bottom
Basses- Proflex 1 Coated Batter & Orbit 2 Batter
/ Proflex 1 Smooth White Front
Toms - ThinSkin 2 Coated Top / Proflex 1 Clear Bottom
Guardian Bass Drum Impact Patch
*Tuning is preferred as open as possible for maximum tone and/or resonance.
"My history w/ Attack Drumheads goes back to junior high when they were recommended to me by the owner of a small, local music store. I was a full-on heavy hitter and they felt bullet proof, giving me all the durability I needed. Had them for years!
Fast forward to now and I'm still finding the same level of craftsmanship. As I've evolved as a drummer i'm enjoying the heads in playing situations of all volumes and intensities. Brushes or sticks the coating wears gracefully and the tone is long-lasting. Looking forward to the new updates and product lines for 2019!"
Sticks: *Official Artist Since October 2018
5A Hickory 5A Red Hickory Jazz Hickory 3A Hickory
3A Red Hickory 7A Maple Bamboo Slapsticks
Timpani Mallets-General Bodhran Tipper Shotguns White Hickory
Jive Maple Maple Claves 7A Jazz Red Hickory
5A Red Hickory Intense. 5A Black Widows
Brushes-Standard & Red Hickory 5B Red Hickory Intense Nylon Tip
5B Red Hickory Nylon Tip 5B Red Hickory Nylon Tip
Pipe Band Rally Half Time Parade
55AB Red Hickory 77A Red Hickory Jive Hickory
6 " & 10" Practice Pad Small & Large Stick Bag
5A Pink Concert
"I had been hearing good things thru the grapevine about Los Cabos for awhile now. I then got the chance to try out multiple pairs of their sticks w/ a practice pad and was blown away! First impression; durable with a great feel. I then tried the sticks on the set..the rebound and attack potential was on point! The cross stick sound was unreal as well! I'm always focused on my technique and getting the right tone for each playing situation. The LC sticks make it feel so natural for me to achieve whatever I want. Los Cabos Drumsticks have definitely enhanced my playing!"
Appearance in 2019 Los Cabos Drumsticks Catalog!
Appearance in 2019 Los Cabos Drumsticks Catalog!
Appearance in #LCDArtistFam Stick Toss Video!
Appearance in #LCDArtistFam Stick Toss Video!
Accessories: *Official Artist since August 2018
Felt Bass Drum Beater Groove Effects Shaker Drum Taco
Groove Effects Jingle
Hex Shakers Golf Ball Trio Shakers Baseball Shaker
Baseball Trio Shakers
10" Pancake Popcorn FX Drum
Marshmallow Bass Drum Beater Standard
The Cork Hammer Bass Drum Beater
"From skateboard wheel bass drum beaters to drum tacos, Creative Percussion reeks of awesomeness! Not only are the company's products revolutionary and fun, they are extremely well made. Sturdy & reliable without a doubt! Owner Kevin Feeney's ideas for useful percussion accessories are ahead of the curve & I'm always looking forward to seeing what's coming next!"
Official Pedal Artist since March 2020
Bass Drum Pedal: Prototype Long / Short Board Conversion
"It's quite the sight when you walk into Drum Factory Direct in Pittsburgh, PA...isles upon isles of drum stuff! They put the 'F" in factory w/o question; every part imaginable to build a drum, replace something broken, or just something to fancy up your kit. If your brewing their site give yourself time to look thru all the products as it'll definitely be worth it. Good chance you'll find something you forgot you needed or stumble upon a cool piece of drum gear you didn't know existed!
Their prototype pedal is total top notch quality. It's been so smooth since the first note! Extremely well constructed and super sturdy it has all the necessary adjustments without extra flash. Perfect for all playing techniques & lightweight for travel too! Look for the new models to hit the market soon!"
Electronics: Sampler Pad(s), module, click.
Hardware / Misc: Music stand, mic stands, mic clips, various clamps, percussion tray, drum set gig rug (large), drum set gig rug (small), percussion rug
Cases: Hard shells and/or bags.
*Still from the Season 1 intro of the Armstrong Cable show 'The Beat". 2013
"The Variable" 12X8 hybrid drum
During the summer of 2006 I finished tweaking the specs for the above mentioned Apple Drum Works set, for which the sound & appearance I envisioned had been in my head for almost a decade prior. I placed the order w/ Nick Appleberry & by Feb ’07 it arrived. The kit far exceeded my expectations in every aspect. However, I knew a time would come where I would need a larger sound pallet to choose from. My work with multiple artists was becoming more diverse so I wanted something extra just in case a session or gig called for a different flavor. A side snare & extra tom were always on my mind as possible additions but I definitely did not want to purchase two extra drums that wouldn't be used often. Instead I just continued to rent or borrow pieces as needed.
In early 2008 the thought came to order a tom, but with snare parts added where it could work as both plus have an un-compromised authentic sound. That would make it extremely versatile tonally & visually, which would save space on my set up & money in my pocket. The next revelation was that I could most likely also use the drum for a mini wooden timbale tone, which would be a contrast to a traditional "snare's off" type of sound.
I went back & forth on the size I wanted for awhile & finally came to the conclusion that a 12x8 would be the right fit. I also kept the same drum shell specifications from the 10 inch rack tom on my set; 100% 6 ply birch shell with 45 degree bearing edges. I enlisted Nick again for the construction & by summer 2009 the drum was in my arsenal. Since then, it's been used in both recording & live performance situations. The results have been phenomenal with all three tones. I dubbed it “The Variable”, as a noun meaning something that is subject to variation, because it's really a 3-in-one drum. The sounds produced are very authentic & work great in many playing situations. It can be converted to any of the three drums with a very few simple steps, here's how I make it happen...
THE SNARE SOUND
THE 3 STEPS TO CONVERTING THE DRUM TO A SNARE
1. Changing the bottom head to a snare side - I currently use various weights depending on tuning preference.
2. Adding the snare wires. Currently use 12, 16, or 20 strand models.
3. Tuning the top head to a higher pitch. I normally do this but the drum produces really cool sounds w/ my normal medium tom tension
Since the drum is bigger than a normal popcorn snare size, it tends to have some really nice low end. I normally just keep the same 2 ply coated batter head that I use for my tom sound. This way I don’t have to change the top head in addition to the bottom. There can be some exceptions to that depending on room or desired sound but subtle muffing eliminates issues.
I’ve also been able to achieve tones very similar to a piccolo snare, even with the depth. The smaller circumference seems to balance everything nicely & with the proper head tension (top & bottom), the drum produces great piccolo sounds. I used that type of sound for the JG Boccella track “Unstoppable” (currently in production). In concert the drum has a lot of projection with a powerful crack when tuned high pitched. The drum also has a nice mid range which can work well as a main snare, especially for quieter volume performances.
Time-wise, changing the drum from a tom or mini timbale to a snare only takes about 5 minutes.
POSITIONING & USAGE
1. Single tom tom. Works great as free floating rack mount suspended from a cymbal stand or placed in a snare stand.
2. Double tom tom set up. Sets up easily as a second rack tom mounted from a cymbal stand.
3. Floor tom. Even those the size is of a traditional tom tom, the produces a great low tone excellent for a higher pitched floor tom to compliment my 14X14 floor tom. I've also used this drum as a single floor tom for quiet shows & performing on small stages.
The sound of the drum used a tom is very versatile, has surprisingly good lows for hard rock, really nice mids for pop, & tunes up great for Jazz. I am both a fan of vintage sets where the drums are sometimes mounted together & more modern free floating systems. This drum seems to capture the essence of both.
The cosmetic appearance of this tom is different than others because of the snare parts. I don't change or remove any unnecessary pieces to save time so the bottom snare hoop, throw off, & butt end are on at all times. Nothing vibrates & the drum can be positioned where the audience cannot see any snare parts.
Change over from a snare or mini wooden timbale to a snare is around 5 minutes, depending on the tuning.
THE MINI WOODEN TIMBALE EFFECT
This drum, tuned at a high pitch in the snare range or beyond, produces a very nice timbale effect. Definitely not as crisp & clear as a traditional timbale but the tone is very similar with a slightly warmer sound. Since the drum is an inch or more deeper than regular timbales, the sound can have more sustain & low end. The small circumference can bring to the overall pitch possibilities up & the drum will produce excellent high end overtones.
For live & studio, I add a block to the side of the drum for cascara patterns & occasionally remove the bottom head. I'm always cautious to not over tension the drum, which could cause damage. Even with avoiding extremes I definitely still get the sounds I desire.
Changing this drum from a snare or tom usually the quickest transition, 3-5 minutes depending on desired tuning. Set up times can be extended as I sometimes use this drum in right side positions (2nd rack, floor tom 1, & floor tom 2 spots). Mostly i prefer this drum to my left, same as side snare, to compliment the rest of my normal set up.
Conga, Djembe, Bongo, Doumbek, Cajon, Ashiko, Djun Djun,
Darbuka, Cowbell, Timbale, Tabla, Slit Drum, Buffalo Drum, Frame Drum, Bodhran, Talking Drum, Udu, Wood Block, Tambourine, Shakere, Rain Stick, Cabasa, Canz,
& other various shakers